The contributors to this volume theorize Asian video cultures in the context of social movements, market economies, and local popular cultures to complicate notions of the Asian experience of global media. Whether discussing video platforms in Japan and Indonesia, K-pop reception videos, amateur music videos circulated via microSD cards in India, or the censorship of Bollywood ...(展开全部)

Over a mere three decades, the video game has become the entertainment medium of choice for millions of people, who now spend more time in the interactive virtual world of games than they do in watching movies or even television. The release of new games or game-playing equipment, such as the PlayStation 2, generates great excitement and even buying frenzies. Yet, until now, th...(展开全部)

This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new development...(展开全部)

This book brings together an international body of scholars working on eighteenth-century botany within the context of imperial expansion. The eighteenth century saw widespread exploration, a tremendous increase in the traffic in botanical specimens, taxonomic breakthroughs, and horticultural experimentation. The contributors to this volume compare the impact of new development...(展开全部)

Philosophy of Motion Pictures is a first-of-its-kind, bottom-up introduction to this bourgeoning field of study. Topics include film as art, medium specificity, defining motion pictures, representation, editing, narrative, emotion and evaluation. Clearly written and supported with a wealth of examples Explores characterizations of key elements of motion pictures –the shot, th...(展开全部)

Partners of the Empire offers a radical rethinking of the Ottoman Empire in the eighteenth and early nineteenth centuries. Over this unstable period, the Ottoman Empire faced political crises, institutional shakeups, and popular insurrections. It responded through various reform options and settlements. New institutional configurations emerged; constitutional texts were codifie...(展开全部)

作者 [土耳其]阿里·亚伊哲奥卢，斯坦福大学历史教授，曾在哈佛大学攻读博士学位，方向为历史与中东研究，随后在普林斯顿大学希腊研究中心做博士后研究。第一本专著《帝国的伙伴》获得2016年由美国图书馆学会主办的杰出学术选择奖。 译者 宋宁刚，南京大学哲学博士，现任教于西安财经大学文学院，译有《怪作家》《天使时间：康托洛维茨传》等。

Yet that might and that greatness were reduced to a mere show before his long reign terminated; and the Moghul Empire resembled -- to use a familiar image -- one of those Etruscan corpses which, though crowned and armed, are destined to crumble at the breath of heaven or at the touch of human hands. And still more did it resemble some splendid palace.

康斯坦斯·克拉森，康考迪亚大学的研究员，感觉史研究专家，长期专注于感觉史的研究，致力于探索人类感官知觉与文化之间的关系，以及感官经验如何影响了社会和文化的发展等主题。代表作有《感觉的世界 :探索历史与跨文化的感觉》《芳香 :嗅觉文化史》《深层感知 :触摸的文化史》《感知的方式 :理解社会中的感官》，曾担任六卷本《感官文化史》丛书的主编。

曼弗瑞迪(Valerio Massimo Manfredi, 1946 ~ ) 古代世界的完美記述者 義大利的歷史學家、考古學家，也是新聞記者。他認為自己是「古代世界的記述者」，自1978年起，在各歐洲大學任教，最後落腳在米蘭大學教授正統考古學（Classical Archaeology）。他並在義大利及環地中海地區從事考古挖掘及科學探險，並經常出現在歐洲各電視台的考古及探險節目中。迄今他已出版了十三本小說，其中包括極為暢銷的亞歷山大三部曲，被翻譯成55個國家的36種語言，代表作《最後軍團》並被好萊塢拍成電影於2007年上映。 曼弗瑞迪曾說，他小說成功的祕密在找回人心最原初的夢想，以及對天地事物的好奇及尊重。生活單純、控制思緒、提昇心靈境界，尋找人與人之間的和諧能夠讓人更接近這個夢想。